Adorno comes in Text and Micro styles, that is, a style for comfortable reading and a style that works for captions or notations. Influenced by Renaissance lettershapes, Adorno is concerned with book typography, with various stylistic alternates, discretionary ligatures and flourishes, giving the option of adorned headlines at slightly larger sizes. The family is designed with traditional book typography in mind.
Luke Charsley is a typeface and graphic designer from the UK, working on type-oriented projects. Before graduating from Type and Media, he studied graphic design at Falmouth University and Augsburg University of Applied Science. He has a fascination with type and print history, and naturally, an interest in drawing lettershapes.
Type and Media is a master’s course in typeface design at the Royal Academy of Art in The Hague (KABK). During the first semester, the students have several ongoing modules with concurrent projects, interspersed with a diverse set of workshops. During the second semester, each student focuses on a single project. This site showcases the final projects of the class of 2019. Enjoy!
Special thanks to the faculty and supervisors at Type and Media for their expertise, wisdom, and support: Erik van Blokland, Peter Verheul, Paul van der Laan, Peter Biľak, Françoise Berserik, Frank Grießhammer, Petr van Blokland, Marja van der Burgh, Fred Smeijers, Just van Rossum, Jan Willem Stas, Ilya Ruderman, Kristyan Sarkis, Timothy Donaldson, Bas Smidt, our guests Paul Barnes and Henrik Birkvig, and our neighborly friends Tânia Raposo, Namrata Goyal, and Phill Specter.
The t]m19 graduates are Alexis Boscariol (France), Anya Danilova (Russia), Céline Odermatt (Switzerland), Ethan Cohen (United States), Eva Abdulina (Latvia), Fabiola Mejía (Costa Rica), Joona Louhi (Finland), Luke Charsley (United Kingdom), Michelangelo Nigra (Italy), Ricard Garcia (Catalonia), Rutherford Craze (United Kingdom), and Ryan Bugden (United States).